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The plot of the film is inspired by the true story of Philippe Pozzo di Borgo and his French-Algerian caregiver Abdel Sellou, Upon the film's 21 September 2012 UK release under the title Untouchable, The Independent called it "a third-rate buddy movie that hardly understands its own condescension.... Maybe it's the fantasy it spins on racial/social/cultural mores, much as Driving Miss Daisy did 20-odd years ago – uptight rich white employer learns to love through black employee's life-force.

That was set in the segregationist America of the 1940s. " Robbie Collin of The Telegraph called it "as broad, accessible and trombonishly unsubtle as a subtitled Driving Miss Daisy"; according to Collin, the "characters are conduits for charisma rather than great dramatic roles, but the horseplay between Sy and Cluzet is often very funny, and one joke bounces merrily into the next." Nigel Farndale, also of The Telegraph, said: "The film, which is about to be released in Britain, has been breaking box-office records in France and Germany, and one of the reasons seems to be that it gives the audience permission to laugh with, not at, people with disabilities, and see their lives as they have never seen them before." Omar Sy received the César Award for Best Actor on 24 February 2012 for the role of Driss (defeating Jean Dujardin, nominated for The Artist) and being the first French African actor to receive this honor.

For Philippe's birthday, a private concert of classical music is performed in his living room.

They are chased through the streets by the police and eventually cornered.

A friend of Philippe's reveals Driss's criminal record which includes six months in jail for robbery.

Philippe states he does not care about Driss's past because he is the only one that does not treat him with pity.

Driss eventually convinces Philippe to talk to Eléonore on the phone.

Philippe agrees with Driss to send a photo of him in a wheelchair to her, but he hesitates and asks his aide, Yvonne, to send a picture of him as he was before his accident. At the last minute, Philippe is too scared to meet Eléonore and leaves with Yvonne before Eléonore arrives.

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The film ends with shots of Philippe Pozzo di Borgo and Abdel Sellou, the people on whom the film is based, together on a hillside, reminiscent of the paragliding scene earlier in the film.