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Lange started work on the project in New York in 1965, and having sketched the film’s spacecrafts within a period of six months, moved with his family to England where he continued work on the film for the next two years.So realistic were Lange’s designs that when US astronauts paid a visit to the film’s production studio in Borehamwood, England, they dubbed the enterprise “NASA East.”“Lange’s illustrations were very detailed, and so were the finished works,” says Kabrich.“You might not notice every aspect of the spaceship when you watch the film, but Kubrick and Lange made sure all the minute details, every button that could be pushed, were in there.It was important to them that every little element was specific, functional and real.”The 2001 File is a fascinating guided tour of Lange’s thought and design process that led to the realization of the iconic film.He then went to the US Army Ballistic Missile Agency (AMBA) before heading the Future Projects Section at NASA, where he worked on spacecraft designs.While preparing to leave NASA, Lange met science fiction author Arthur C.The fact that Lange was a draftsman who could draw these inventions that could seem tangible gave them an integrity you don’t get with most science fiction.
It’s pretty remarkable to look at Lange’s work from 50 years ago and see that so much of what he predicted is now part of our everyday life.”The first edition of the book, “The 2001 File: Harry Lange and the Design of the Landmark Science Fiction Film”, sold out in less than three months to stellar reviews.
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Di Meola fans and guitar aficionados will be awestruck by the combination of peerless chops and rare romanticism that he conjures up from his various axes on , which stands as one of his most compelling six-string manifestos in a long and illustrious career.
Space Suits with Helmets – integral to the authenticity of all astronaut scenes, these designs drew heavily on Lange’s time at NASA.“Lange’s illustrations are stunning to look at, and as you take them in you realize that they represent a kind of guided dreaming,” says Kabrich.
“ came at a very important period of time – America was working on going to the moon, and the film made space exploration seem imminent.