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In their home country, Children of Bodom (COB) is one of the best-selling [Nuclear Blast], still retains and expands upon the signature elements of their sound, namely New Wave of British Heavy Metal-style minor riffs, harmonized melodic lines, double-bass-drum-powered sixteenth-notes at breakneck tempos, and lyrical themes that even Edgar Allen Poe might find macabre. In what ways do you think your playing has evolved since then? I’ve pretty much had all of my techniques down for quite a while, but now I pay more attention to playing a solo or a riff that will serve the song as opposed to just showing off.
Of course, there’s always going to be an element of showing off, this being a metal band and all, but essentially I’m much more conscious of every note I play and how it relates to the song.
So I do all the writing but we usually do the arrangements together. It was definitely a last minute thing that I realized I had to do.
But it ended up being a good thing because I think it sounds a lot tighter which only makes sense because it's just one guy playing everything. I basically told them all the specifics about the neck and frets and the artwork.
Anytime you learn something new, it's a plus.\" was pretty fucking metal already when you think about it.
I've been learning a couple of Fleetwood Mac songs and it's like, I don't know what to do with myself.It's like picking up a guitar for the first time all over again.It's pretty cool though and it's inspiring.\"I'm always trying to get better. It's more about being a better performer, which for me is playing and singing as well.But knowing myself, in ten years or so I probably won't remember a goddamn thing.So it's probably better if I start bringing a four tracker around with me or something.
He's played in a couple bands so I always knew he could play guitar.