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Going by the juiciness of the gossip, the Harvard years might beat out post-college Manhattan, years weighed down by grating jobs and undiagnosable writer’ s block, despite the levity and solace offered by his new friends.Maybe you’ ve heard of them: the artists Jane Freilicher and Larry Rivers, a trio of barely-known poets named James Schuyler, Kenneth Koch, and Frank O’ Hara.That virtue enriches the ﬁrst chapters of The Songs We Know Best, on Ashbery’ s roots and childhood in upstate New York, divided between the family farm in Sodus and his grandparents’ house in Pultneyville.For all the golden-hour nostalgia and endearing antiques within Ashbery’ s poetry, his childhood played out over a room tone of sadness:a father’ s disregard, a younger brother’ s unmentionable death, a small town and small minds inhospitable to this gay, ambitious, spacey, irrepressibly odd boy.
” A precocious teenager, no doubt, though it’ s just as fair to say that Ashbery the twenty-something (even the eighty-something) was constitutionally adolescent: Ashbery grows into a voice that can turn gushily romantic or moodily evasive, self-amusing or parodic of any adult pretensions within earshot.
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Later, as the most overambitious undergraduate among many at Harvard, he made plans to “rip modern poetry wide open!
”; ever the ambitious reader, he cruised through Proust in one summer, then read it all again that fall.
Names of boys you once knew and their sleds, Skyrockets are good—do they still exist?